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  • Four Valve Euphonium

    I centered this piece on the valve cluster of a euphonium, where mechanics and music meet. I painted the weight, the spacing, and the places hands actually touch.

    I photographed the source instrument at the November 2025 VMEA conference while I wandered the manufacturer booths looking for reflections and angles to paint. I drew the original in plum-black iron gall ink and let it break and drift when the water hit it, as the watercolor moved on the page.

    I draw each piece by hand and paint it in watercolor. The original watercolor is available. It measures 12″ x 14″ on 300 lb Arches hot press paper and includes a certificate of authenticity. Prints ship unframed.

    A pretty gift for low brass players and band directors.

    Part of my music series, focused on the details that shape sound.

  • Eighteen Keys

    I painted this fragment of a piano keyboard because repetition and spacing carry their own rhythm. I like how a partial view lets the mind finish the music.

    I painted the original years ago and finally decided to release it as prints. I gave the original away, but prints are available. Prints ship unframed unless otherwise noted.

    A thoughtful piece for pianists, composers, or music lovers.

    Part of my music series, celebrating familiar forms seen from a closer perspective.

  • Yarn Percussion Mallets

    I painted these yarn mallets because percussion tools carry so much personality, color, and touch. I wanted them to feel lively and intentional, not like props.

    I took the reference photo at the American Drum table during the 2025 VMEA conference in Norfolk, Virginia. I had a great conversation with George, and he invited me to come back to his shop in Richmond for more photos. I planned the palette carefully to capture the energy in the lineup.

    I drew this by hand and painted it in watercolor. The original watercolor is available. It measures 7″ x 11″ and includes a certificate of authenticity. Prints ship unframed.

    A unique gift for percussionists and music educators.

    Part of my music series, honoring the tools behind the performance.

  • Martin Guitar Headstock

    I painted this acoustic guitar headstock to honor the wear, craftsmanship, and familiarity of a well-loved instrument. I leaned into color and shape more than brand or exact replication.

    I photographed this from my husband’s guitar, one of our favorite acoustics in the family. I intentionally left the logo off and pushed the saturation because I wanted the painting to feel like memory, not merchandising.

    I drew this by hand and painted it in watercolor. The original watercolor is available. It measures 11″ x 14″ on 140 lb cold press paper and includes a certificate of authenticity. Prints ship unframed.

    A classic addition to a music studio or living space.

    Part of my music series, inspired by the instruments my musicians love.

  • Tenor Clef in Slate

    Rendered in muted slate tones, this watercolor explores the tenor clef as a strong, understated symbol of musical structure.

    I didn’t even know tenor clef existed until Rhonda reached out and told me how often string players read it alongside alto clef. I painted this one for her, and for everyone who lives in that lower register.

    The original watercolor is available. It measures 8″ x 8″ on 300 lb Arches hot press paper and includes a certificate of authenticity. Prints ship unframed.

    A thoughtful gift for low-register musicians.

    Part of my music series.

  • Euphonium in Blueberry

    A vibrant watercolor captures the intricate beauty of a euphonium in cool blueberry hues.

    I photographed this pretty and shiny euphonium at the VMEA 2025 conference.

    Original Artwork

    • Medium: Professional watercolor on heavyweight 300# hot press paper
    • Dimensions: 8″ x 8″
    • Pigment Note: Features a beautiful granulating pigment called Glacier Green, accented with Magenta and Indanthrone Blue.
    • Signed on the front and includes a certificate of authenticity.

    Fine Art Prints

    • Museum-quality giclée prints available.
    • Printed on archival, acid-free fine art paper.

     

  • Harp in Blue and Ochre

    A watercolor painting of a harp in a striking palette of blue and warm ochre. As a former student of the piano, the harp feels similar, and informed this piece. Capturing the intricate pegs and strings without overworking them was a challenge. It took me two tries, but my hope is that fellow harpists will connect with my interpretation.

    Original Artwork

    • Medium: Watercolor and ink on 300# hot press Arches watercolor paper
    • Original’s Dimensions: 11.5″ x 7.5″
    • Pigment Note: Features my favorite Windsor and Newton Aqua Green paint, and traces of shiny iridescent copper and blue ink.
    • Signed on the front and includes a certificate of authenticity.

    Fine Art Prints

    • Museum-quality giclée prints available
    • Printed on archival, acid-free fine art paper

     

  • Violin Scroll in Ultramarine

    A close study of a violin scroll in deep ultramarine and violet, set against a richly textured, atmospheric background.

    This wasn’t just any instrument; it was my son’s. He was small at the time but wanted to play the viola, so his teacher started him on a violin, held and played in the viola style. This painting captures that bridge between two instruments: a testament to a musician’s creative beginnings and the quiet, handcrafted details of the objects that shape an orchestra’s sound.

    Original Artwork

    • Professional watercolor on heavyweight 300# hot press paper
    • Dimensions: 11″ x 7.75″
    • Pigment Note: The background features a textural wash of Schmincke’s super-granulating Shire Blue-Green pigment
    • Signed on the front and includes a certificate of authenticity

    Fine Art Prints

    • Museum-quality giclée prints are available
    • Printed on archival, acid-free fine art paper